Curtis Amy — soloist on “Touch Me Baby” by The Doors

17 Jan

This is my first time re-blogging, but I couldn’t have stated Curtis Amy’s case more thoroughly than the writer at Curt’s Jazz Cafe so I was delighted to notice a “reblog” button on the post. I stumbled on this blog upon deciding to try and find out a little more about the saxman behind the iconic tenor solo on “Touch Me Baby” by The Doors. The thing that struck me about this comprehensive blogpost about the life and career of Curtis Amy, whose name is probably unknown by millions of fans of The Doors were there words “toiled in virtual obscurity”. Once again I’m reminded of the legions of fantastically adept, talented musicians who have done and are doing just that. I find this to be a touchy subject and I think about it often.

Curt's Jazz Cafe

Curtis Amy (1927 – 2002)

Even if you don’t know his name, you’ve probably heard Curtis Amy. If you listened to pop music and pop radio from the mid-’60’s through the late ’70’s, then you heard Amy’s tenor, soprano or flute backing artists from Carole King, to Ray Charles to the Doors. But as a solo artist, Curtis Amy toiled in virtual obscurity.

Born in Houston, TX, in 1927, Amy’s first instrument was the clarinet at the young age of four.  He was drafted and during his stint in the Army, he started to play the tenor sax. When his time in the Army was up, Amy decided to pursue formal musical training at Kentucky State College (now University), from which he graduated in the early ’50’s.  He then taught school in Tennessee and knocked around playing gigs throughout the midwest for a couple of years, before landing in Los Angeles around 1955. …

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2 Responses to “Curtis Amy — soloist on “Touch Me Baby” by The Doors”

  1. Denis Horký August 30, 2016 at 3:28 am #

    an i ask what mouthpiece have he played

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